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10-2-2009 The Stories Behind 20 Muppet Favoritesby Stacy Conradt - January 1, 2009 - 6:00 AM Like a lot of you, I grew up on Sesame Street and the Muppets. But did you ever stop to wonder where they came from? Some of the characters we know and love were recycled from other TV shows and commercials Jim Henson worked on, while others were invented by using whatever materials were around. Be prepared for a little nostalgia, and I hope I didn’t leave out your favorite – not all of the characters have interesting background stories (sorry, Big Bird).
2. Elmo. The way it’s described by a Sesame Street writer, apparently this extra red puppet was just lying around. People would try to do something with him, but nothing really panned out. In 1984, puppeteer Kevin Clash picked up the red puppet and started doing the voice and the personality and it clicked – thus, Elmo was born. 3. Telly Monster was originally the Television Monster when he debuted in 1979. He was obsessed with TV and his eves would whirl around as if hypnotized whenever he was in front of a set. After a while, producers started worrying about his influence on youngsters, so they changed him to make him the chronic worrier he is now. 4. Count von Count made his first appearance in 1972 and was made out of an Anything Muppet pattern – a blank Muppet head that could have features added to it to make various characters. He used to be more sinister – he was able to hypnotize and stun people and he laughed in typical scary-villain-type fashion after completing a count of something and thunder and lightning would occur. He was quickly made more appealing to little kids, though. He is apparently quite the ladies’ man – he has been linked to Countess von Backward, who loves to count backward; Countess Dahling von Dahling and Lady Two.
9. Rowlf the Dog, surprise, surprise, was first made in 1962 for a series of Purina Dog Chow commercials. He went on to claim fame as Jimmy Dean’s sidekick on The Jimmy Dean Show and was on every single episode from 1963 to 1966. Jimmy Dean said Rowlf got about 2,000 letters from fans every week. He was considered for Sesame Street but ended up becoming a regular on The Muppet Show in 1976. 10. Oscar the Grouch is performed by the same guy who does Big Bird, Carroll Spinney. Spinney said he based Oscar’s cranky voice on a particular NYC cab driver he once had the pleasure of riding with. He was originally an alarming shade of orange. In Pakistan, his name is Akhtar and he lives in an oil barrel. In Turkey, he is Kirpik and lives in a basket. And in Israel, it’s not Oscar at all – it’s his cousin, Moishe Oofnik, who lives in an old car. 11. Gonzo. What exactly is Gonzo? Nobody knows. Even Jim Henson had no particular species in mind. Over the course of The Muppet Show, Muppet Babies and various Muppet movies, Gonzo has been referred to as a “Whatever”, a “Weirdo” and an alien. Whatever he is, he first appeared on the scene in 1970’s The Great Santa Claus Switch. His name was Snarl the Cigar Box Frackle. In 1974, he showed up on a T.V. special for Herb Alpert & the Tijuana Brass. He became Gonzo the Great by the first season ofThe Muppet Show and developed his thing for Camilla the Chicken almost accidentally: during one episode where chickens were auditioning for the show, puppeteer Dave Goelz ad-libbed, “Don’t call us, we’ll call you… nice legs, though!” It was decided then and there that Gonzo would have a bizarre romantic interest in chickens.
13. Beaker. I always thought of Beaker and his buddy Bunsen Honeydew as characters that came along later in the Muppet timeline, but they have been around since the The Muppet Show. Although Beaker usually says things along the lines of, “Mee-mee-mee-mee!”, he has had a few actual lines: “Sadly temporary,” “Bye-Bye” and “Make-up ready!” Despite being word-challenged, he manages to do a pretty convincing Little Richard impression and, surprisingly, had mad beatbox skills. Beaker is one of the only Muppets that was never recycled from some other purpose – he was created solely for The Muppet Show. 14. Fozzie Bear. Poor Fozzie. He’s the perpetual target of Statler and Waldorf because of his horrible jokes and puns. It actually created a bit of a problem during the first season of The Muppet Show, because when Fozzie got heckled, he got very upset and sometimes cried. Viewers didn’t feel sympathy; they felt embarrassed. The problem was solved by making Fozzie an optimist so that even when he got heckled he was good-natured about it. It’s often thought that he was named after Frank Oz, who was his puppeteer, but Frank said it’s just a variant of “fuzzy bear.” Yet another story says he was named for his builder, Faz Fazakas. Wocka wocka!!
Other rumors to clear up: Bert and Ernie aren’t gay and neither one of them are dead. Now that we’ve got that straightened out, here are a few more tidbits: the original Ernie used to have a gravelly voice similar to Rowlf the Dog’s. Frank Oz was Bert’s puppeteer and hated him at the beginning. He thought Bert was ridiculously boring, but then realized that he could have a lot of fun with being boring. Jim Henson once said, “I remember trying Bert and Frank tried Ernie for a while. I can’t imagine doing Bert now, because Bert has become so much of a part of Frank.” 16. Grover. Everyone’s favorite “cute, furry little monster” made his TV debut on the Ed Sullivan Show in 1967. At the time, he was known as “Gleep” and was a monster in Santa’s Workshop. He then appeared on the first season of Sesame Street, but sported green fur and a reddish-orange nose. He didn’t have a name then, but by the second season he transformed into the Grover we know today, more or less – electric blue fur and a pink nose. The original green Grover was reincarnated as Grover’s Mommy for a few episodes. In Latin America and Puerto Rico Grover is known as Archibaldo, in Spain he is Coco, in Portugal he is Gualter and in Norway he is Gunnar. 17. Sweetums is one of a handful of full-body Muppets. He showed up in 1971 on the TV special The Frog Prince. This is where he got his name – when Sir Robin the Brave is about to defeat the ogre, a witch shows up and changes him into a frog (who later becomes Robin, Kermit’s nephew). Apparently smitten with the ogre, the witch tells her darling “Sweetums” that he can have the frog for breakfast. Bigger fame awaited Sweetums, though – in 1975, he appeared on Cher’s variety show to do a duet with her to “That Old Black Magic”. He officially joined The Muppet Show cast in 1976. 18. Rizzo the Rat might sound familiar to you, especially if you’ve seen Midnight Cowboy – he is named for Dustin Hoffman’s character, Ratso Rizzo. He was created after puppeteer Steve Whitmire was inspired by rat puppets made from bottles. He first showed up on The Muppet Show as one of a group of rats following Christopher Reeve around – he’s easy to spot because he hams it up more than any of the other rats. He occasionally performs with Dr. Teeth and the Electric Mayhem.
13-11-2008 Remembering...
22-5-2006 He Is Not EveryoneHe Is Not Everyone Forty maybes later he thinks, “Yeah, that sounds good. That’s new – well, new to me. It’s different. There’s no harm in trying.” Lastly, there is the matter of how. Firstly, everybody knows why. He opens the door and takes the world for granted. He steps out of the shadows of suburbia and breathes in the contempt of the world he bears. He enjoys being a defiant. At least, he thinks he enjoys it. At the very least, he thinks he is a defiant. He knows he is. Cruising aimlessly toward a destination, our hero grips the perimeter of a goal. That goal is to have no goal – success in failure. As the window goes up, so do the gears. The trees become buildings and the dogs become trashcans. Now, he has arrived. It’s a bright place, under the fluorescent lights and the plastic candles that sit comfortably in the suspended chandelier. One fluorescent arrow flickers. Its time has almost come, but a candle goes out first. He blinks and walks on. He chooses not to notice. Rather, he walks toward a fly caught in a web that extends from a candle that burnt out long ago. The fly reminds him of a game he used to play, but he can’t remember which one. Regardless, he has work to do. Step by step, two plus two is always four. “How boring!” he concludes. Thankfully, he is a trailblazer and a pathfinder and he knows it, because he hears it all the time. Like the very web that trapped the fly, he encompasses all aspects of the problem, until the problem becomes the solution. Ya dig? Weaving his way through stacks of people and a crowd of books, his eyes fall victim to his passion. Here he will stay. For it goes without saying that his weakness is his desire to know what he is not yet aware of. So, he harvests the crop, plucking the nearest book off the shelf on his left. As he cracks the spine, he can sense that he is close to understanding more about her. She is a widow. Once she was married to a dream, but she was forced to mature without. Unlike her suitor, she is not a victim of circumstance. As he fans through the pages, his nostrils become enthused not to let her essence escape. Come on! He should have known better. Her essence can no more be contained than his nostrils can identify it. He insists that she become a part of his life and invites her to join him as he exits the scene, leaving her no choice but to comply. It is love, Baby! When he gets home, he sits down with a sandwich, spinning some tunes in the next room. He cannot help but wonder what he has done and where he has been. Fascinated by his new love, he hangs on her every word as she recites a story of a boy in New York City. At first, he thinks that boy could be him, but he soon realises he couldn’t. Of course, he can relate to this universal character. All the while, she makes him feel so warm that he cannot put her down. As the story continues, the boy seems more and more to be a unique individual with no stock qualities. The generic boy has grown into his own and our hero understands that he is you and I, but he is not everyone … DEDICATED TO AN OLD FRIEND 11-4-2005 Bertha (Jones) AdlerI don’t believe anybody wanted Bubbie Bertha to leave us, but anyone who could appreciate how much she was suffering in the last few weeks, must understand that it was the right time. I’ve had a great deal of time, recently, to think about some of the decisions I’m facing. I've been admitted to return to university in the fall to earn another diploma. I’ve thought about what I want to study and how I want to use that instruction subsequently. Still, the question most people seem to ask me is the same one I had to answer myself before undertaking this new project: why? The answer is quite simple. It’s important to me and should enable me to be the kind of person I’d like to be. We make many decisions in a lifetime and it would be nice if we could all make important ones easily. But sometimes, we don’t get to make the most important decisions. It may be because our options are limited or coerced, or even because the decisions are not ours to make. It often seemed like my grandmother didn’t make many decisions. She didn’t have to, though she still somehow appeared to be calling the shots. There was no need to speculate what my grandmother might be preparing for dinner. Friday night was chicken and every other night had its respective tradition. If you took her out to dinner, you didn’t even have to ask her what she was ordering: salmon. Of course, we’d chosen the restaurant for her. She didn’t invite the family for the holidays. She knew we’d be there and we knew she’d have plenty of food ready for us. She had a standing appointment at the beauty salon and walked out of her house every week, knowing that somebody would be waiting to drive her there. My grandmother was never completely silent, because she was never without opinions, only the occasions to suggest them. Surrounded by her husband, sisters, and brothers-in-law, there was little left to be said. So she kept to herself and went on baking her mun cookies. What is one opinion in light of millennia of traditions and customs? My bubbie’s devotion and faith in her Jewish heritage could not be questioned. You could set your watch by her Shabbat candles while her Kosher home and antique furniture could have been featured in a house-keeping magazine. Rather than walk fifteen minutes to synagogue with her husband, she would walk two minutes around the corner to a smaller chapel with her sisters to be able to get home and prepare a feast before his arrival. This was what distinguished my grandmother, her devotion to traditions and family. No, Bubbie Bertha didn’t make frequent little decisions. She decided what was important to her. She kept a traditional Jewish home and cared dearly for her family. She had no desire to ever do anything else. A little over a week ago, my grandmother decided to stop eating. Then a few days ago, she removed her intravenous feeding tube. I don’t believe anybody wanted Bubbie Bertha to leave us, but anyone who could appreciate how much she was suffering in the last few weeks, must understand that it was the right time. |
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